Windborn comes “home”

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Hypnotic.  Enchanting. Soul churning.  Epic. Beautiful.  These are just a few words that come to mind when describing Windborn’s performance.  Windborn doesn’t just play music, they become it. They engulf the listener in such a way that you feel the fibre of each note, each verse, each beat.

 

Having a distinct vulnerability to their sound to begin with, tonight’s performance was especially personal.  Windborn’s creator and songwriter, Jeff Pike, has not only been performing here over the past 4 years, he lived on the property for a period of time following immense heartbreak, and subsequently, wrote the majority of the soon to be released third album right here at the venue.  This immediately created a shared intimacy and relationship with the audience, even with those here for the first time.  It is no surprise Jeff sought refuge and found solace at Serenity when he needed it the most. At a place that is known for its familial atmosphere, Windborn’s return was a true homecoming that was felt by everyone.   

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Undoubtedly, Jeff Pike is the creative engine behind the core of Windborn’s sound.  He crafts all of the songs in an experimental process that is far from traditional.  Although he was raised by parents who played and taught both piano and guitar, Jeff was not exposed to music as a child outside of a limited selection of faith-based options, and he was not at all interested in learning to play instruments from his parents.  It wasn’t until his mid-late teens that Jeff began to play around with music on his own, and like any suppressed preacher-raised young man would do, he started a metal band. However, once he began to explore the world of music, he discovered he not only had a voice, but an ability to create sounds and beats through approaching instruments without any preconceived rules or expectations.  In a nutshell, Jeff’s songwriting advice is as follows: “If it sounds bad, stop.  If it sounds good, keep going.”  To this day, Jeff does not read music or write songs based on standard chord progressions.  He literally just plays, in the true sense of the word, as in plays around with different  finger placements on the guitar, or beats on the kick and various hand drums until he hears something he likes.  It’s the most organic way of making music you can imagine, and what is most impressive is how natural it comes to Jeff and how in tune (for lack of a better word) he is with his instruments to be able to create what he does.  Shockingly, he thinks his process is a relatively simple one that could be picked up by anyone who can carry a tune in the shower.  Of course this is not true, yet this belief he carries showcases an endearing humility regarding his massive talent. 

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If Jeff Pike is Windborn’s ship and captain, Nils Loewen is its sails.  Nils met Jeff a few years ago when he was attending college in Winnipeg.  Following one of Jeff’s shows while on tour, he ended up at the college in a jam session with Nils and some other music students, and the two of them had an instant musical chemistry. On that very first night they wrote what became the song “I Shot The Sky” that ended up on Windborn’s sophomore album Measures.  Following graduation, Nils made the move to BC to officially join the band, and the two of them have been creating Windborn’s signature sound ever since.  His cello elements breathe beauty and depth into the songs that bring out different feelings and qualities for the listener to sink their teeth into.  Visually, Nils’ physical presence brings an intensity to the performance, which is offset perfectly by Jeff’s playfulness on stage.  Having majored in a variety of music genres and instruments in college, with a current focus on dabbling in the classical works of Bach, Nils brings a true renaissance quality to the band’s transcending sound.

 

There is no question Windborn’s songs force you to self examine and reflect.  Although there were moments that triggered intense sadness, most of the night elicited true joy for the opportunity to witness these two exceptional musicians share their gifts and hearts with us.  We were spellbound by what they created on stage, so much so that during the intermission people kept looking at each other saying “Wow,” along with a common sentiment shared about it being difficult to put into words the pleasure and appreciation we felt as an audience.

To say the men of Windborn are a match made in heaven is an appropriate use of a highly overused and rarely true idiom.  Their collaborative songwriting process boils down to Jeff writing the songs, Nils listening to them and then adding cello components where he feels they fit.  Out of this passion for creating and trust in one another, they are producing some of the most original music that is indefinable by genre, yet unmistakably genuine.

Windborn performed at Serenity Performing Arts Centre on February 22, 2014.

The third full length album “Calm in Chaos” is set to be released in the coming months. 

Until the album’s release date, you can download the track “My Love” for free on Windborn’s homepage at http://www.windborn.ca where you can also find links to the two previously released albums, current tour schedule, and more.

 

Photos courtesy of Steve Mechem. 

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Jon Bryant

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Jon Bryant. That’s a name I will never forget.  And his performance was one I will not shake for quite sometime.

Born and raised in Fall River, Nova Scotia, he now resides in Seattle, Washington, but his small town Canadian roots have not left him.  He grew up as one of 5 musical siblings to a gospel singing father, and although his faith based influences are evident, they don’t overpower his music in a way of pigeonholing it for a mass audience.  His lyrical ability is incredibly impressive as it draws you in and embraces you like an old friend.  It is something to think that he almost didn’t go through with pursuing music as a career, struggling with a decision whether to take a substantial job offer following his University studies. But like any true artist, he followed his heart, and it has led him on a path of growing success over the past 3 years.

 

Releasing his debut album “Two Coasts for Comfort” in late 2009 and subsequently being named not once, but twice as an iTunes Indie Spotlight Artist, Jon came out of the gates running, and he hasn’t slowed down since.  Releasing his sophmore album “What Takes You” in 2012, Jon has toured steadily throughout Canada, the US and worldwide over the past few years and his music is leaving behind a wake of dedicated fans, and with good reason.

With songs that are emotionally weighted, and have already lent themselves to prime time television placements, Jon’s music can be compared to the likes of Cary Brothers and Joshua Radin.  Let’s just say it’s not off the mark to imagine Zach Braff pinning one of Jon’s songs for a future film soundtrack compilation.  But visual media possibilities aside, seeing Jon perform live put in perspective how rare it is to hear such a pure voice and raw songwriting that literally opens your heart and fills the soul.

 

When it comes right down to it, Jon Bryant is one of the most well developed Canadian independent artists we have right now.  At the age of 28, after only a handful of years in the game, Jon stands above many in developing the whole package.  His homepage, facebook, twitter, and various other social media platforms are not only current (what a thought!), but they are professional, creative, and personal. They achieve what social media is intended to do, they make you feel connected to him. Upon my first visit to http://www.jonbryant.ca I felt like I had a real sense of who Jon was and the level of performance I could expect from his show.  That is an impressive thing to achieve, and it is also appreciated.  As an audience member, I appreciate when artists take the time to keep their information up to date, because it is not only a sign of respect for their fan base, it also shows a level of self respect, work ethic and vision that is inspiring and therefore makes their music that much more desirable.  And desirability is a word that is well suited to this singer/songwriter.

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His performance included a mid set wardrobe change (nice touch), and bringing a birthday girl up on stage to play the tambourine in a spirited rendition of his song “Looks Better On You.”  These moments and more all played into his ability to hold a crowd in the palm of his hand.   The tone and richness to his vocals was enough to send anyone into pure swoon mode, but it was the character behind his voice that truly shone through.  A great voice is a great voice, but if there isn’t the personality, passion, or desirability behind it, then that’s all it is, a voice.  But when that beautiful sound is coupled with someone just as beautiful inside and out, that is what makes the few shine bright among so many.  There is no question, Jon Bryant was a star in our midst.

On the stage, Jon shared a great deal about himself, leaving us with an experience that was deeply felt.  Everything from stories behind certain songs, like “Once In A While” about a girl he met and fell in love with in Israel that subsequently led to an epic heartbreak, to speaking more generally about themes and thoughts that have been inhabiting his mind as of late.  A central theme to the first half of the evening was comtemplating his own mortality.  I mentioned to Jon afterwards that I hear many artists talk about coming to terms with their own death, and that they use their music to help work through those fears and questions.  He agreed that being a songwriter allows him to spend time entrenched in the areas of life that are rich and deep in emotional turmoil and angst, for as we all know, these are what help to inspire some of the greatest art in the world.  In Jon’s case, his song “Take Me If You Must” is about releasing those fears and embracing the unpredictability of death’s arrival all while trying to live your life to be one that is full, not necessarily long.  Because our venue is located in a small rural community, everyone always knows each other in the audience, and the impact of that song on us was wide spread.  Many in the crowd that night had lost loved ones close to them in tragedies too difficult to describe in a few sentences here, including some so recent that they crippled our community in grief, only to bring it together in remembrance and purpose.  But it was a reminder of what great music does, it cracks you wide open to help you feel and heal.

 

Jon invited us into his heart, and in turn stole each and everyone of ours.  Although I got a chance to briefly chat with him afterwards, I did not get the undivided time I have been carving out recently, partially due to the fact that I was not on my own timeframe this particular evening.  But to be honest, sometimes things happen as they should.  The truth is, he gave enough on the stage to write about for days.  I want Jon to know what a gift that is; to share that much of yourself with others so openly, vulnerably, and graciously. I didn’t have to spend hours talking to him afterwards to feel connected to him or his music, it happened on the stage, and that is where it should happen, and needs to for a musician to make a true impact in creating a lifelong fan base.

Although in many ways Jon and his music were a perfect fit for a house concert format, I couldn’t help but close my eyes and easily imagine listening to him in a venue as large as a stadium.  He has a voice that could translate to any size venue; it’s warmth and accessibility was wonderful for our small crowd, but it is big and powerful enough to fill an arena.

Only time will tell to see where the future of this bright young man leads, but if his work and success to date gives any indication, he is headed for a long career of enriching lives of many with his soulful voice that brought this woman to tears.

Jon Bryant performed at Serenity Performing Arts Centre on January 26, 2014.

Visit his website at http://www.jonbryant.ca for links to his facebook page, tour schedule, music downloads and more. 

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Lost in the Woods with Matt Stanley & the Decoys

Young unbridled talent is how one could classify the performances of Serenity’s first house concert of 2014.  Kamloops based Matt Stanley & the Decoys and Lost in the Woods gave us a double dose of what is lurking in our neighbourhood city’s music scene a few hundred clicks south. Although the evening was brimming with great music, the only thing left to desire at our up close and personal venue was having the artists share a little more of themselves on stage with the audience, however they were more than open off of it, which I suppose is what makes these pieces so necessary. So let’s peel back the layers to learn more about their stories, because the truth is for one in particular, performing here brought us all full circle and back to where it all began.

The current house concert format at the venue hosts one act a night, however, in rare instances of circumstance, we get treated to a double bill.  Tonight was one of those times.  It just so happens that both bands share a member, Sean Poissant, who plays drums for the Decoys and fills a variety of roles for Lost in the Woods, including but not limited to percussion, guitar & vocals.  In Sean’s infinite wisdom, he had double booked himself with both bands at different venues.  Instead of having to leave one band hanging, Serenity agreed to host a gig for both of them, much to our good fortune.

Matt Stanley & the Decoys

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Matt Stanley & the Decoys opened the show, playing mostly new songs they have been working on for their upcoming album.  There is no question they have a rock sound that is on the cusp of something great.  Frontman Matt Stanley’s vocals at times have a hint of a young Billy Corgan and even Anthony Kiedis, yet his true influences hail from classic rock, which was clearly evident in the band’s lively cover of Zeppelin’s “Ramble On” which closed out their set.

 

The band has been deep in the recording process of their new album which they hope to have available come summer, with a few digital single releases coming even sooner.  Although they are a rock’n’roll band first and foremost, they have been stretching their versatility more and more to embrace other genres including punk and country-folk rock.  These efforts are well founded, however take a lot of effort to pull together, something the current trio try to make a priority among their day jobs that are required to support their love and passion of making music.  Bass player Will Fehr alone works 50 hours a week as an engineer, forcing them to squeeze every hour they can out of their schedules to play, write, record & perform.

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The road has been less than smooth for Matt Stanley in his attempts to build a band to stand the test of time.  With a string of lost band members over the years, which much to his own admission may be tied to him being the common denominator, Matt remains cool, calm & collected about his vision and where the current threesome are headed.  Having recently finished building a custom studio in Sean’s garage, the band are psyched on their new material and are gearing up for a big push come spring to hit the west coast touring circuit.

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It was humbling for us to hear Matt explain that he has had his sights set on playing Serenity for quite sometime, and that the experience didn’t dissapoint.  Admitting that the location is unlike anything he has ever played, it was clear this Kamloops boy was eager to be welcomed into what has become a fairly local mainstay of a venue.  It’s this type of persona off the stage that will carry him far in his pursuits, along with his bandmates.  Will doesn’t say much but his quick soft spoken one timers are hard to miss, and Sean’s easy conversation style would put anyone at ease.  With a night that gave props to some local homegrown talent, these guys did our valley proud,  and with continued hard work, they will get to where they are headed.

 

Lost in the Woods

Speaking of locals, the night was a true homecoming for singer and multi-instrumentalist Dave Maccuish of Lost in the Woods who was born and raised in our community.  The folklore surrounding the creation of our local venue starts with this young man a mere 6 years ago when he was visiting the acreage, a place he practically grew up on, as his mother and venue owner Shirley de Vooght have been best friends since grade school.

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In a nutshell, years ago Shirley had been approached by her sister to use the acreage to host a Christian music festival.  Shirley agreed and because she does not do anything small, had a custom outdoor stage built for the event.  Shortly afterwards, Dave had been out to the acreage for a visit and brought his guitar.  Shirley asked him to try a song or two out on the big stage.  He sang Neil Young’s “Heart of Gold.”  To this day, Shirley claims that it was that exact moment that her vision for creating a viable live music venue on the property came to be.  And as they say, the rest is history.

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Now this is a pretty hefty fable to live up to, however, Dave and his bandmates are not ones to let on any amount of ego.  It is quite something to experience a group of young men so richly gifted act as if they do not realize the immense musical talent they possess among them.

song link: https://myspace.com/3guysfolking/music/song/the-stix-57642749-62667781?play=1

 

Lost in the Woods has had its own evolution of sorts. Starting out as 3 Guys Folkin, they paired down and changed their name to Duo #2, only to change it again to the current moniker and in the last handful of months welcome a third member who completes and elevates their sound in a way I’m not sure they fully realize.  After watching them perform and speaking to them afterwards, it is clear that music is what they live for, but like so many, are still trying to figure out the nuances of making it a lifelong career which of course takes a significant amount of blood, sweat & tears to become anything close to a reality. No matter where their path may lead, their journey is sure to be enjoyable if they keep making music like this.

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With a sound that drew quick comparisons to last year’s break out folk trio The Lumineers, Lost in the Woods is a throwback to the rich history of grass roots folk music, showcasing the banjo & fiddle with rugged, yet tender vocals.  For a guy who only picked up the banjo a few years ago, Dave’s affinity with the instrument had the audience in a joyful spell.  Setting the stage with their vintage microphone, and an authentic style between them that cut a page right out of a how-to-look-like-a-cool-folk-band, their ability to craft a roots based folk instrumental is beyond slick.  Sean didn’t even touch the drums in their entire set, but rather selected to showcase his significant abilities on the acoustic guitar & vocals.  As for their new member I mentioned earlier, that would be Matt Cardinal, the fiddler.  Performing both the fiddle & viola, Matt’s pristine sense of timing, melody and collaborative merritt within the band pretty much blew the top off their existing sound leading up to his addition.

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Matt’s background is in concert orchestra, a fact that is not to be taken lightly, including that he was raised on the fiddle from his own grandmother who he still plays with to this day.  Matt is a truly gifted talent who does not appear to have been classically taught with his disheveled hair, farmer’s hat, and laissez faire demeanour.  However, when you ask him about his music, those soft eyes become sharper, his laid back tendancy changes to an upright stance,  and the passion in his voice gives it all away.  This is his first shot at being in a band, and he’s ready to work to make it happen.  Like many musicians, including fellow bandmate Sean, Matt works in trades to make ends meet.  He shared his current routine of listening to the band’s recorded practice sessions while at work, followed by returning to his motel room in whatever town he is working in at the time to rehearse the cues and pointers laid down in practice.  Motivated to find his niche within the band’s current song anthology, his gracious dedication is nothing short of touching.

song link: https://myspace.com/3guysfolking/music/song/out-from-the-dirt…worn-and-poor.mp3-86522786-95898279?play=1

 

Having the now flexible access to Sean’s home based studio, Lost in the Woods are half done tracking their new album which will be released both digitally and on vinyl in late spring. Here’s hoping it translates their newly developed sound that is so entrancing in its live delivery.

Matt Stanley & the Decoys and Lost in the Woods performed at Serenity Performing Arts Centre on January 18, 2014.

Visit their homepages for links to music downloads, facebook pages and more.

http://www.mattstanleyandthedecoys.com

http://www.lostinthewoodsband.com

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Rolla Olak & Willhorse: Winter Wolfpack Tour

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So first things first, what kind of musicians plan a full out tour in Canada, in a van, in the dead of winter, right before Christmas? Well that would be Rolla Olak & Willhorse.  And for those lucky enough to live in a town where they have a scheduled show, let’s just say seeing these guys live is a gift that keeps on giving.

For our crowd, the show had been a highly anticipated one.  Sold out almost upon the date’s announcement, the audience arrived in a bus full of friends and co-workers who had chosen the concert for their holiday gathering.  Needless to say it was hands down the best staff party on record.

Where to even begin.  The appropriately named Winter Wolfpack Tour exemplifies the brotherhood that has formed between Rolla Olak and Willhorse.  Having been introduced when paired up at the beginning of this year’s Peak Performance Project, Rolla headed out to spend a week with the guys of Willhorse on their home turf in Golden BC to get to know one another and have a head start on the songwriting process before the competition’s bootcamp this past August.

What formed was a friendship that has spawned multiple collaborations and support for each other’s careers that naturally led to the idea to form a legit tour.  Rolla started out the night for our venue’s show, but it wasn’t long before the Willhorse boys were brought up to share the stage and amp up his set list.  Likewise, when Willhorse performed, they called upon Rolla many times to join them, showcasing their closeness as friends and musicians who gel on stage as if they have been playing together for years.

But as much as it would be an easy fit to see Rolla become a permanent fixture of the band, that is not to be his fate.

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Rolla is a true folk renaissance man for our time.  He has a depth to his soul and his artistry that is unmatched. Murmurs in the audience attributing him to the early Neil Young did not go unnoticed, as he carried the room armed only with his acoustic guitar and harmonica.

 

Growing up on Vancouver Island, Rolla has a deep love for the West Coast and the geography that has inspired his respect and appreciation for the environment. But his connection to his BC roots may not be enough to keep him here.  After going through the experience as a top 20 finalist in this year’s Peak Performance Project, Rolla challenged himself to look inward and discover what truly motivates him in the world of music and where his future path should lead.  As an accomplished songwriter with credits on multiple Canadian and International releases,  Rolla plans to set his sights on more opportunities to collaborate with other artists as a songwriter and producer.  Although he will continue to write and play his own material, he has discovered that understanding your greatest strengths can allow for more of a focused heart as a musician and artist.  This focus however will likely take him south or out east to larger centres like LA and Toronto where there are high volumes of musicians who are eager to work with him.  The feeling you get when around him is full out mellow.  It is not hard to imagine how he would put any fellow artist at ease and set the tone for some pretty incredible creative energy to flow. We witnessed exactly this as he brought out the best in his fellow tourmates, Willhorse.

The men of Willhorse personify what most would consider pure rock stars.  Having my own preconceived fantasies of the band being a living form of the fictitious Stillwater from Cameron Crowe’s Oscar winning film Almost Famous, meeting them pretty much blew that dream out of the water.  There is nothing better than having all of your expectations completely exceeded.

Playing more of a stripped down acoustic set for our lucky crowd, not only did the guys of Willhorse showcase their exceptional musicianship and presence on the stage, our intimate venue proved how remarkably humble and accessible they are off of it.  For a band together only 2 years, the tightness to their sound, package and overall vision is intensely felt.  Having recently come out of the Peak Performance Project placing fifth out of the top 20 artists selected in BC, their graciousness in receiving their placemement solidified their reputation as class acts within the competition and put them in a position of high regard for their accomplishments to date and future plans as a band.

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Ironically for Willhorse, the Peak experience focuses mainly on the business aspect of being a professional musician, and for the most part, they have that pretty well covered with their resident bass player and manager, Todd Menzies.  With years of experience in the industry on both sides of the playing field, Todd brings a fierce business sense to the band that has elevated their stature in a very short amount of time.  With highly respected connections that run deep among musicians, agencies, and venues alike, Todd is both the anchor and captain who is keeping them focused and guiding their decision making, not that you would be able to glean this from their performance.  Like many a bass player, Todd does his job on stage, but for the most part stays out of the way.  He plays his instrument effortlessly and gives all of the limelight to his fellow bandmates.  If you didn’t ask any questions, the typical audience member would never guess the depth of responsibility he holds within the band and how much the guys trust him whole heartedly with their careers. This of course is not to say that each of them don’t bring their own strengths to make WIllhorse the band that it is.

Drummer Nick Petrowich from Regina Saskatchewan is a quick witted, towering presence among the crew.  He added some of the night’s highlights as he surprised us with his voice chops in a song’s verse or two, and got the crowd ramped up at the beginning of most with his beats. Discovering his passion and talent for music late in his rebellious teen years, Nick is more driven than ever to establish the band as a Canadian music success story.

This leads us to Saskatchewan bred cousins Jeremy Borschneck and Branden Winterholt.  On lead vocals and guitar, Jeremy is the ultimate frontman.  He creates that instant crushable appeal with his dark eyes, flirtatious smile, and winning personality. Jeremy held the crowd all night, as he shared stories of what motivated his songwriting, and teased his bandmates in a way that kept the night feeling playful and fun. The only parent among them, Jeremy’s two year old son back home in Golden is an obvious motivator and inspiration for his relentless work ethic as a musician, and his paternal instincts are kept in full use thanks to his relationship with younger cousin and Willhorse guitarist, Branden.

Branden is one of those rare musicians you come by once in a while that make you just go “wow.” Struggling with depression as a young boy, he looked up to his older cousin Jeremy whose influence and mentorship turned Branden’s life around through music, a story that is at the heart of what makes this band so special.  Locking himself in his bedroom with a guitar while most teenagers were out doing who knows what, Jeremy admits that Branden surpassed his own abilities within a few short months of playing.  A truly gifted musician, at merely 24 years old, Branden left the audience spell bound with his solos and riffs that proved age is but a number when it comes to pure born-with-it talent.

So what is it that makes these guys truly something.  I know it is often said that from great pain comes great art.  These boys have lived some serious pain in their respective young lives, many details of which are not mentioned here.  The fact that they turned to music, found one another, and created their own version of salvation is fairly profound.  When it comes down to it, Willhorse has all the right elements to become Canada’s next great rock band, so get yourself out to one of their current gigs to be able to say you met them, before they are playing venues too large for you to get the chance.

 

Rolla Olak & Willhorse performed at Serenity Performing Arts Centre on December 12, 2013.

Their Winter Wolfpack Tour is on the road in BC & Alberta until December 22, 2013.

For show dates, links to music downloads, facebook pages & more, visit their homepages at http://www.rollaolak.com and http://www.willhorse.com

Special note: Willhorse’s song “Stoke it Up” was just named into the top 50 out of thousands across Canada in CBC’s Hockey Night in Canada Song Quest.  Go to http://www.music.cbc.ca to vote them into the top 10. Voting closes December 19, 11:59pm EST, 8:59pm PST. 

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Tom Coles

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You know what I wish? I wish every young musician would seek out and spend a significant amount of time with someone like Tom Coles.  What a man, and what an artist, in every sense of the word.

Tom’s show was a departure for our unique music venue that hosts touring artists working hard to get their music out to as many people as possible to make a living.  Tom is the only local musician who venue owner Shirley de Vooght hosts.  It’s not that she doesn’t recognize there is local talent in our small town, but the goal of Serenity is to provide a home for professional musicians on the road, and allow people who have chosen to live a rural lifestyle access to art & culture from outside our town’s limits.

But Tom is different.  Not only has he provided hours of in-kind support to help the venue keep going and growing, he brings something to the stage that is somehow lost or forgotten, or maybe just not yet found by so many young aspiring musicians.

Tom spent his coming of age years growing up in Toronto in the 1960’s and 70’s. He was swallowed up whole by the vibrant artistic community of Toronto’s Yorkville at the time, which became internationally renowned and likened to New York’s Greenich Village for its embrace of counterculture.  Accounting stories throughout the night of his youth as a budding artist, Tom spoke of sitting and listening to some of the biggest names in music at The Riverboat coffeehouse, one of our country’s most historic cultural landmarks for Canadian music.  And in the spirit of his own appreciation for what Shirley has created, he drew comparisons to these memories and the essence of our venue that houses independent touring musicians, and gives them a paying gig and a place to share their music.

To be witness to a musician like Tom on the Serenity stage was a notably different experience at the venue.  He was not trying to sell himself or his music.  He is out of that game and was up there for the pure reason of sharing his story and his soul with us.  And if you are looking for someone with a soul full of stories, Tom is your man.

He talked about attending the Mariposa Folk Festival as a young man in Toronto during the folk music renaissance, including taking part in a guitar playing workshop led by the one and only Doc Watson who inspired Tom to take his guitar playing to a whole new level. We were left in awe as we experienced what that meant.  To listen to a man perform an instrument he has spent his entire life mastering is quite something. Like Doc Watson himself, Tom mesmerized us with the art of fingerpicking, a sound and style that makes you feel like you are watching someone play two guitars at the same time. It is phenomenally difficult to do well, but Tom is not one to boast.

A practicing Buddhist, Tom has an energy about him that is all together, well, cool.  Just over 20 years ago Tom met his now wife Sandy, and within a month of meeting, they left for India on a Buddhist pilgrimage.  I made a comment about it being quite a way to start a relationship, to which Sandy swiftly replied, “When you are in India, you cannot avoid being sick, from every part of you, but you learn a lot about someone when you are that sick.”  Isn’t that the truth.  As an audience, we were treated to colourful stories of their trip together, including the people, food & music.   My favourite performance of the night was inspired by a story Tom shared of seeking out a sitar instructor who told him he would need to be in India for many years to be able to teach him anything about the instrument.  Tom parlayed the story into one of the most incredible renditions of The Beatles’ “Norwegian Wood” I have ever heard (he also performed an acoustic masterpiece of “While My Guitar Gently Weeps” that would have impressed George Harrison himself).

Of course, like any singer songwriter, Tom truly came to life when performing his own material.  His song “A Brand New Dawn” is an uplifting ballad that reminds you of the beauty of life itself, and his performance of one of his first originals “Get Away” is as relevant now as ever; it paints a picture of Canada, most notably our rural landscapes as places of refuge for those looking to escape the demands and stresses of city life.  The song could be commissioned by any Canadian tourism platform on the market today.

What struck me most about listening to Tom on stage was that he was truly interesting. He has seen and experienced things that many of us can only imagine.  Getting a glimpse into his past as a touring musician when some of the greatest music of all time was being produced is something of legend.  His appreciation for the global community and how his artistry has connected him to people and places all over the world was inspiring, as is his life as an artist in multiple realms.

Apart from his life as a musician, Tom is a highly regarded tattoo artist in the BC Interior.  Before opening our town’s first tattoo parlour four years ago after purchasing a local acreage, he had owned and operated a shop for years in nearby Kamloops.  Tattooing aside, surrounding him on stage were some of the most beautiful iron floor stand candelabras you could ever come to find. Tom made them himself, because he is also a traditional blacksmith.  Yes, as in forging iron and steel by hand, pretty kick ass.  Learning that Tom is an artisan of such a rare and lost artform was somehow not at all surprising.

To be in the presence of someone of his calibre of talent at this stage of his artistic career felt like an honour.  Tom Coles is one of the kindest human beings you will have the pleasure of encountering, he is someone you want to sit and listen to for hours.  Which is exactly what we did, and it was sublime.

Tom Coles performed at Serenity Performing Arts Centre on December 7, 2013.

To check out his music, visit Tom’s website at http://www.tomcoles.ca

The next time you are looking for a tattoo artist, he is worth the trip.  http://www.talismantattoos.ca

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JJ Shiplett in the house

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Woah, JJ.  That woah is a loaded one, as in “woah, that voice of yours is profound,” or “woah, you’re making us feel things,” or “woah, you’ve got that bad boy thing nailed down,” or during the times he is downplaying his talent, “woah, stop underselling yourself.”

JJ Shiplett is one of the rawest independent artists out there.  The grit and realness you get from his songwriting, voice and guitar work is just plain great. And great is what you have to be to stand out and make it, not good or really good, but great.

The night came with some high expectations.  JJ was returning to Serenity for the third time, following up his September show when he headlined the big outdoor stage with his band The Red River Rebellion.  This was his first house concert here as a solo artist, having to hold the room on his own, just him and his guitar.  It was also the largest group to date at a house show, thanks to the new addition of the indoor stage.

There were many newcomers in the audience, who had caught wind of the buzz surrounding the venue, but also of JJ’s reputation and music.

Everything came together in a rising crescendo. JJ worked the crowd up as he powered through tried and true staples off his debut album Drifter, and then began to share his new material that he will be recording in a matter of months.

His ease with the audience also built steadily, as he let us into his tight walls little by little, song by song. But not all the way, never all the way with JJ.  That is what makes him so special.

 

It is hard to put a finger on what makes this guy tick.  But that’s the mark of a true artist really.  His songs are not written as an open book to his life, they leave a lot to interpretation, allowing your imagination to run wild.  Spending even a small amount of time with him, you come to realize how appropriately named his debut album truly is, for JJ is the epitomy of those that remain elusive in the world of rock and roll; the drifters, rolling stones, and wandering souls, who are searching for that mind blowing experience or turn-your-world-upside-down love to inspire the next great song.

Although he attempts to make light of many of the songs he writes, the truth behind his eyes tells a different story.  JJ is one of the most soulful artists I have ever experienced. He is relatively young, but the pain, desire, and passion in his voice is so real, and so tangible.

When you hear JJ sing live, it is impossible not to be moved in some way.  The power in his voice reaches down into your soul, and grabs a tight hold. Many of his songs are the kind that make your heart skip and stomach rise as they sink right into your bones.

As for what has inspired his writing to date, an obvious theme is relationships with women, but JJ isn’t one to name names, or even admit that any one song is about any one woman.  Relationships in general are alluded to throughout his songs, including those with family and friends.  The fact that JJ was raised by an evangelical preacher may surprise some, but learning that his father died when he was 16, ending JJ’s church going days for good, somehow doesn’t.  I won’t elaborate on that, not sure if JJ would either, but it does give you a glimpse into the heart that is JJ Shiplett, dark and wild, yet full of light and grace.

It’s just a matter of time before JJ is discovered by a massive audience, and when they do, expect him to take everyone by storm.

 

JJ Shiplett performed at Serenity Performing Arts Centre on November 23, 2013.

In February 2014, he will begin recording his second full length album.  In a bold and brave move that is sure to pay off, JJ will be recording the album live off the floor at a custom created studio on a ranch in Alberta.

Heading into months of album rehersals, hearing JJ live may be hard to come by in the immediate future, so be sure to stay up to date on his performing schedule by following him on facebook https://www.facebook.com/pages/JJ-Shiplett/253767533484 and twitter @jjshiplettmusic.

You can purchase JJ Shiplett’s debut album Drifter on iTunes and bandcamp.  Find links to album downloads & more at http://www.jjshiplettmusic.com

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Ryan McAllister

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One of the clearest moonlit winter nights in our valley provided the setting that welcomed us into Ryan McAllister’s house concert at Serenity Performing Arts Centre. Ryan played on the evening of our first official snow day, arriving to mountains, trees and rivers covered with a blanket of snow and ice.  There is nothing better than being led by a full moon to a stoked wood stove in a cozy farm house serving hot mulled wine to hear the voice, stories, and soul sharing of Ryan McAllister.

The entertainment provided by Ryan was second to none.  He made us feel like the luckiest group of people in the world to be given the gift of his talent in such an intimate setting.  For an artist as seasoned as Ryan, performing comes as naturally as breathing.  His accessibility was immediate, and only became stronger and more meaningful as the night went on.  In a rare appearance, Ryan brought along his older brother Dan, a poet and singer songwriter in his own right.  Dan’s presence provided the perfect partnership and camaraderie that brought the performance together in a complete experience for the audience.

When you put two brothers together on stage, you can bet the result is going to be quite something. Ryan and Dan gave us a true gift, a glimpse into their connection as brothers, their childhood growing up in a household of 8 boys, and their current lives and relationships, including life as a 30-something musician.

Ryan’s songwriting style is an homage to the true storyteller.  His writing reflects not only his life experience, but his inspirations and interests.  And can he ever make you laugh.  The ease in which he joked around with his brother, but also with us as an audience, was thrilling to be a part of.  With a dose of true Canadian self depricating humour, a dash of black comedy, and a healthy amount of sarcasm, there were few moments when you weren’t laughing at what was enfolding in front of you.  On the other hand, Ryan has a vulnerability that is incredibly moving.  He showed raw emotion with us as he described certain influences for his songs, including everything from his own mother’s life story, to that of a young AIDS inflicted mother he met on a charity trip to Africa.  He truly captured our hearts.

As far as performance goes, the night was extremely casual.  Ryan was making his set list as the night went on, routinely catching Dan completely off guard.  Ryan set the tone for the evening to feel like you were spending time with a close personal friend, not a guy who was signed to Madonna’s record label as the lead singer of a band that toured the world.

Nowadays, Ryan is father to 4 children who he raises with his beloved wife on an acreage in Abbotsford where he owns a private recording studio and works with up and coming independent artists.  Although he feels blessed to have found a “day job” that keeps him connected to his passion, it is obvious that his true gift and heart is in writing and performing his own material.  Showcasing his songs from his debut solo album, “Music For A Rainy Town,” the night’s true standouts included, “Mystery White Boy,” a biopic song about Jeff Buckley, whose music Ryan discovered many years ago only to learn of Jeff’s tragic death and wrote the song the very next day; “By Your Side,” a love letter to his wife who he spoke beautifully about throughout the night, putting pressure on all the husbands in the room; and a personal favourite, “This Black Heart,” a solid track from his album that stands up to any song in the pop rock genre on radio today.

As for our cherished venue in as rural a location as you can get, Ryan so kindly expressed that it continues to be one of his favourite places to perform in the world, and is one of the rarest venues he has ever experienced.  We are already counting down the days until he returns to play here again in September.

Ryan McAllister performed at Serenity Performing Arts Centre on November 16, 2013.

He will be releasing a new Christmas album this winter, and expect to hear about an album release from North Country Gentlemen, the band he has formed with some of the top talents he has produced for, who have also become some of his closest friends.

Purchase Ryan’s debut album “Music For A Rainy Town” and debut Christmas album “Whiteout Christmas” on iTunes.

Visit his website http://www.ryanmcallister.com for links to free downloads, bio information & more.

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Cod Gone Wild

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What do you get when you combine a singer songwriter from Newfoundland, a giant of an Albertan drummer, a fiddling BC beauty, and a very cool Japanese Canadian bass player? Well, naturally, you get Cod Gone Wild.

Welcomed into the house like old friends, Cod Gone Wild put on a show that brought the room together like a close knit east coast family sharing a pint right in the heart of St. Johns’ George Street.  Playing everything from traditionals like “Drunken Sailor” & “Farewell to Nova Scotia”, to the Irish favourite, “Galway Girl,” the set list was pure Celtic fun. The true standouts however were the band’s originals, including “Sociable,” a tune that would have any audience singing (and drinking) along within seconds.

Long time supporters and visitors of Serenity Performing Arts Centre, this Okanagan based band is truly beloved by all of Serenity’s “regulars,” who keep coming back again and again to be entertained by the band’s lively modern celtic sound and big hearted personalities.

Besides their enormous talent, the chemistry between this band on stage is off the charts.  Leading the charge are lead vocalists Andrew Mercer on guitar and Anjuli Otter on fiddle & mandolin.  What a pair.  With these two front and center, you are either left in awe of their musicality, or hunched over in stitches from their hilarious exchanges.  Their banter between songs (or even in the middle of some) is a throw back to watching Lucy & Ricky on an episode of “I Love Lucy,” except they aren’t married and Andrew isn’t Cuban, he’s a Newfoundlander, which for Canadians is even funnier.  Add in the flawlessely timed and delivered one liners from Chad “Rhino” Carter on drums, which are strengthened by the forever grinning (and toasting) Roy Kawano on bass, and you have a group of musicians who are true performers.

Stage presence aside, the instrumental prowess exceeded by this quartet is a real treat.  Not only does Anjuli have a lovely voice and ease of ability with the mandolin, her mastery of the fiddle is world class, literally.  Having played in numerous BC Orchestras, she was most recently a member of the Symphony Orchestra India (SOI), before she returned to her hometown of Vernon and was immediately recruited by the band who were in the midst of restructuring. As for the men, Roy leaves the impression he could play anything on the bass at the drop of a hat, while the appropriately named “Rhino” on percussion and vocals is a key focal point during certain songs that provides just the right amount of variety.  All of the band’s players come together in large part due to Andrew Mercer on lead vocals & acoustic guitar. Andrew’s songwriting and stories of growing up in Newfoundland provide the authenticity their music requires to make it truly experiential.

The band’s big announcement of the night was the news they are beginning pre-production of their second full length album next week.  Independent in every sense of the word, Cod Gone Wild will record their album in a rented home they plan to transform into a recording studio, and will handle every aspect of the process themselves from the album art to distribution.  With Andrew holding a degree in business, and “Rhino” being a graphic artist, they not only create the music, but are the brains behind the business.

Having been together in their current form for 3 years, the new album will surely reflect the growth they have experienced as a band, and showcase their developed sense of unity. Cod Gone Wild has most definitely found their niche within the BC music scene, and are now making strong and serious inroads across Canada, including a 14 show large venue tour pre-booked in Alberta for early 2015.

Booked solid months in advance throughout their own Okanagan valley for private and corporate functions alike, you should count yourself lucky to come across this lively band at an event nearest you.

One place you can be sure to catch them is at Serenity’s 1st Annual Harvest Music Festival, a 3 day event taking place September 5-7, 2014.  Not only will Cod Gone Wild be a headlining act, they will be doing lights and sound for the artists all weekend long. Early bird passes (including free camping on-site for all 3 days) are on sale now through info@serenitymusic.ca.

Cod Gone Wild performed at Serenity Performing Arts Centre on November 8, 2013.

To purchase their debut album, “The Traveler”, and find out about upcoming tour dates, visit their website at http://www.codgonewild.com

You can also follow them on facebook https://www.facebook.com/pages/Cod-Gone-Wild/339474838923 and twitter @CodGoneWild.

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Inspired

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Considering the next Serenity concert isn’t until Nov. 8th, that is a large amount of time in between posts, so this is a little something inspired from the special group of musicians in this year’s Peak Performance Project, who now wait to find out whether their music careers will be awarded a significant financial boost by a decision announced on Nov. 5th.  Here is an open letter to each member of the top 20, and every artist in the world for that matter, whose music has made a meaningful impact on my life.

Being inspired is a difficult thing to convey in words.  It is a feeling.  It is strongly desired in our current society. People are craving inspiration in their lives.

This is the power that every artist holds, the power to inspire.  To inspire a single person, or to inspire a generation, music can move people into action.  This is why it has been used so pivotally throughout history in a multitude of ways to inspire a movement, a cause, a brand, a product, a team, a country, a student, a leader.

Recognizing this gift that you hold as musicians can be overwhelming, it can feel like a massive responsibility not knowing what your music might inspire others to do, or say, or feel.  But this is not your load to carry.  What is yours is the realization that through your art, people can and will be connected in ways that you will never come to know.  Your music is a vessel for the heart of what our human race has survived off of, connectedness.  We need to feel and be connected to others.  We search and hold onto it within family structures, however dysfunctional, and more often than ever, look outward to connect with people who are like-minded and share similar interests.  Social media has created a world of connectedness that is so immediate, yet forever intangible.  To feel connected to so many, yet never hear their voice, see their face, or feel their touch, is a world that we do not yet fully understand.  But when art is at the heart of it, one can only hope these connections bring about betterment in people’s lives.

So while your music is inspiring others and connecting the world, don’t feel so alone, you should be experiencing these same things at the same time.  Don’t ever stop seeking inspiration for yourself, for your music, or for your life.  Exposing yourself to greatness will only inspire you to become greater.  You have been given a gift of an experience.  20 artists chosen to “compete” to win a large sum of money to further your careers.  If it has felt like a competition, you have probably missed the point.  But if it has felt like the most exhilarating challenge to examine your music with humbling grace, open yourself up to being inspired by the talents of others, and build relationships to carry with you for your entire life, then you have already won something pretty incredible.  This of course is not to discount the fact that the money is wildly enticing and ultimately needed by every artist who is trying to make a long term living from playing music.

In the end, it’s simple really.  When the day comes to look back on your life and someone asks you, “What did you do?”, if your answer can be “I inspired,” then what a life, what a life indeed.

Much love and thanks to you all who inspire me to become someone who can answer the same.

– Heather

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Fangirl moment

Fangirl moment

He has a beard and he wears a hat. Killer combo. #GregDrummond

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